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Step
Reebok Guidelines - Revised
The
following article appeared in the June/July 1997 issue of the
Reebok Alliance Newsletter. It is reprinted with permission
from the Reebok Alliance.
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Research
In Action - Stepping to a New Beat
The
latest on music cadence for Step Reebok
by
Michele Scharff Olson, Ph.D., and Reebok Master Trainer and
Step Reebok pioneer Gin Miller
Many
Alliance members have been asking Reebok to revise its guidelines
for the Step Reebok® Program. In particular, a number of
you have requested that we endorse a more liberal standard
for exercise cadence, or beats per minute (bpm). Before developing
new guidelines, Reebok asked Michele Scharff Olson, Ph.D.,
an independent researcher of the Human Performance Laboratory
at Auburn University Montgomery, to analyze seven years of
step research and develop a Step Reebok Position Stand. Out
of Dr. Olson's Position Stand and a careful analysis of the
effects of Step Reebok exercise comes the following summation
of Reebok's revised guidelines concerning exercise cadence.
Step
Reebok requires gradual exercise progression for both regimen
adherence and injury prevention. The four-level participant
criteria (see box,
"Step Reebok Exercise Prescriptive"), describes the
requisite step skills and experience associated with each level
and also outlines the limitations on music tempos. Participants'
rates of progression should be determined by their levels of
aerobic fitness, as well as their ages, health, skill levels,
and individual traits, including their needs and goals.
One
change at a time. The variables that affect exercise intensity-that
is, increased platform height, greater arm involvement, more
advanced movements, and increased step tempo-should be introduced
in a linear fashion. Adding more than one variable at a time
runs counter to biomechanical and physiological research findings,
and does not allow a body time to adapt to the new stresses.
Step exercise intensity increases approximately 7 to 10 percent
between each 2-inch platform height and between the traditional
step speed (118 - 122 bpm) and the fastest permissible speed
(128 bpm). Therefore, changing to a higher platform and the
fastest step tempo simultaneously is theoretically equivalent
to increasing the platform height by two levels (4 inches),
or the intensity by 20 percent. Even changing to a higher platform
and the next fastest speed simultaneously results in a 12 percent
increase in intensity, which is unnecessarily pronounced.
Instructors
should pay particular attention to the words "up to"
in the Exercise Prescriptive, which allow flexibility in an individuals'
progression. For example, Advanced (Step 4) participants may
continue to use an 8-inch platform in a class with a faster tempo
(128 bpm), or they may move from a 6-inch to an 8-Inch platform
in a class that uses a tempo of 120 bpm. The new guidelines simply
provide a more versatile, yet scientifically valid, means to
better satisfy the individual needs of Step Reebok participants.
Temper
the tempo. Of particular importance .is the ceiling music cadence
of 128 beats per minute. Both the biomechancial and physiological
data collected and published from the Human Performance Laboratory
and others are very clear in supporting this cap. At tempos
faster than 128 bpm, the impact forces increase significantly.
Novices, especially, demonstrated difficulty in absorbing the
impact forces at faster speeds, compared with participants
who were experienced in step.
Moreover,
a definitive physiological study demonstrated that, at music
tempos in the 128-bpm to 138-bpm range, lactic acid levels-which
indicate high anaerobic metabolism-rise markedly. Under these
conditions, more than half the female subjects in this study
(who were moderately fit and had step exercise experience)
could not complete a typical 20-minute step protocol due to
exertional fatigue. Prior to the fatigue, their movement technique,
postural alignment and proper foot positioning all suffered.
Male subjects in the same study exercised at 90 percent of
their aerobic capacity, which is in excess of the accepted
range of the American College of Sports Medicine. Thus, there
are definitive risks and few benefits for step speeds above
128 bpm.
Finally,
in classes with a mixed level of participants, Step Reebok
recommends that instructors encourage students to adjust platform
heights for increased exercise intensity and limit the music
tempo to the traditional 118-122 bpm. While research shows
that step speeds between 118 - 128 bpm can be suitable across
different fitness levels, the traditional 118-122 bpm tempo
provides a very viable level of intensity even for very fit
step exercisers. In fact, studies conducted with highly fit
step instructors show that on the higher (6-, 8- and
10-inch) platforms, the 118-122 bpm speed places them between
70 percent and 85 percent of maximum heart rate.
Step
Reebok Exercise Prescriptive
Participant
Level |
Platform
Height* |
Music
Speed |
Step
1: Novice
Someone who hasn't
taken part in a regular
exercise class for
some time. |
4 inches |
118-122 bpm |
| Step
2: Beginner
A regular exerciser
who-has never done
step training. |
up to 6 inches
|
124 bpm
|
| Step
3: Intermediate
A regular step trainer. |
up
to 8 Inches |
126
bpm
|
| Step
4: Advanced
A regular and skilled
step trainer.
|
up
to I0 Inches |
128
bpm
|
EXPERT
OPINION
Comments on the new Step
Reebok Exercise Prescriptives by Reebok Research and
Development Team member Peter Francis, Ph.D.
I commend Reebok
for seeking further independent advice from Michele Scharff
Olson, Ph.D., who is an extremely credible authority, in
an industry that's as exciting and diverse as ours, there
will always be spirited debate. But simply put, the available
legitimate research consistently supports a music speed
of 118 - 122 bpm for Novice (Step 1) participants. Even
for highly skilled and fit participants, the upper limit
of 128 bpm is prudent.
In my experience
observing thousands of step classes worldwide, I've often
been told by taller individuals that they notice a lack
of control at even 126 bpm. All too often it appears to
be shorter, mesomorphic instructors who are able to maintain
stepping at music speeds as high as 128 bpm. Some are convinced
that participants of all shapes and sizes should be capable
of maintaining control at high music speeds.
I've also heard
various instructors voice concerns that classes conforming
to Reebok guidelines might be perceived as being "easier".
Hopefully, Dr. Olson's seasoned arguments will give confidence
to these fitness professionals and provide them with the
tools to educate their students on safe and effective techniques
for Step Reebok.
June/July 1997
Issue: Reebok Alliance Newsletter
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The Workout w/ Muscle: Step With Handweights
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